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Search resuls for: "Elisa Lipsky-Karasz"


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ANGELINA JOLIE has found her voice. But first, she says, she lost it. It was during hours of training to portray the opera singer Maria Callas in her turbulent final days, for an upcoming movie in which Jolie’s voice will be blended with the diva’s famously dramatic renditions of operatic arias.
Persons: ANGELINA JOLIE, Maria Callas
Chanel’s Unexpected CEO Is Reinventing the Company When it came time to hire a new CEO, the luxury fashion house made a surprisingly bold choice in Leena Nair“If somebody told me I would have the chance to do what I’m doing today, I would not have believed them,” Nair says of taking the CEO role at Chanel. Andy Warhol, ‘Chanel,’ 1985, from the Ads series, acrylic and silkscreen ink on canvas, 22 x 22 inches, © The Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York / Ronald Feldman Gallery, New York (6)
Persons: Leena Nair, ” Nair, Chanel, Andy Warhol, ‘ Chanel, Ronald Feldman Organizations: Andy Warhol Foundation, Visual Arts, Artists Rights Society Locations: New York
Launching 818 has given her freedom. “In modeling you are what someone wants you to be. Where you show up on set, the makeup, the hair. You wear what they tell you to wear, and you take the photo that they want to see,” she says.
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Persons: Dow Jones, kendall, jenner
I can always write an awful lot that I can’t draw,” Jony Ive , the mastermind behind Apple ’s most revolutionary products, says as he holds up a Space Age–style coffee cup. “If I draw this, it only captures certain attributes.”Ive is sitting in the garden of a Pacific Heights carriage house high in the San Francisco hills, a building he converted into a private studio and occasional crash pad for friends. Apart from the cup—devised by Ive’s business partner and fellow designer, Marc Newson, and made by the Japanese brand Noritake—Ive designed nearly every indoor and outdoor element of this deceptively simple space, down to the gray marble bathroom sink and the garden’s round, rough-hewn stepping stones.
Laurene Powell Jobs doesn’t tend to court the limelight. Over the past decade, she’s given only 10 interviews for publication. So why speak now, when there’s hardly a pressing reason for her to take the public stage? “My main reason is to cut through the misunderstanding and misconceptions,” says Powell Jobs—the ones about her 11-year-old organization, Emerson Collective, which is part philanthropy, part Sand Hill Road venture-capital powerhouse, part artistic patronage and part immigration-education-environmental advocacy group. It doesn’t help that most of Emerson’s giving has been anonymous, she says.
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